Sensorium Ex is an ambitious new opera by acclaimed composer Paola Prestini and Brenda Shaughnessy, co-directed by Jerron Herman and Jay Scheib, that synthesizes artificial intelligence, disability, and the arts in a groundbreaking and innovative artistic work. 

The visionary production pushes the boundaries of what it means to have a voice, paving the way for future artists with disabilities. Sensorium Ex delves deep into the essence of voice, transcending the limits of language to profoundly reimagine what it can be. 

Operating at the intersection of artificial intelligence (AI), disability, and the arts, Sensorium Ex explores the fundamental question of what it means to have voice, and the nature of voice beyond language. Internationally-acclaimed composer Paola Prestini’s expansive, multi-modal work tells a dystopian tale centered on a mother and her son, a nonverbal, nonambulatory child with multiple disabilities, as they resist a villainous corporate entity's attempts to destroy what it means to be human.

Blurring the lines between art and technology, the opera will feature a new set of AI tools developed in partnership with NYU’s Ability Lab that will expand the possibilities for voice and expression in people with disordered, impaired, or limited speech. With a cast of predominantly disabled performers, the project seeks to devise new artistic practices which center disability equity and access throughout all steps in the process. Sensorium Ex is composed by Paola Prestini, co-produced by VisionIntoArt and Beth Morrison Projects, directed by Jerron Herman and Jay Scheib, and features a libretto by poet Brenda Shaughnessy. Premiering for the first time at Common Senses Festival 2025, Sensorium Ex creates an entirely new operatic world – one that redefines who gets to have a voice.